If you still believe in the utopia of a democratic state, a bourgeois state, of an egalitarian society, it is the utopia of a group of people , wizards, who are paid by the bourgeoisie to him they have a mirror of herself and that magicians can ask lies, difficulties, disasters, structures of the society in which we live. If you share a certain cynicism, very materialistic, that we see everywhere today, we can say that the theater as an experience of enlightenment, it no longer exists.
These words are Ostermeir Thomas, a young (he is 42 years old) director who made a sensation (and part of the great artists of the contemporary avant-garde) over the past fifteen years, in Germany mainly and the world in general. At thirty, he was invited to join the management group's artistic Schaubühne Berlin. These words, "I said, are therefore Ostermeier and are drawn from an article Relevance and potential socio-political theater , published in 2004 in the eighty-second issue of Alternative Theatre .
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